Play Off
It was everything it said it would be: a magical romance set in the modern world. And everything worked out just as promised: a (freaky) pregnancy, a friend-turned-lover (is it a spoiler to say they really did get married? Not since it happened pretty much immediately), and a devilish villain who just turned super creepy.
I don't know if I should take the credit for being so dead-on, seeing as it practically explained it all on the cover--but I will. Because, as predicted, it was about the characters. It was introspective for all of them and what was happening with the plot didn't matter so much as their reactions and opinions. And that really was what made it an enjoyable read.
The plot was crazy; if it was stripped down to mere rising and falling action, it would be way too much magic to appreciate. The characters were its saving grace. They felt real and likable enough to want to root for them. So even for all its predictability, it still felt refreshing and even, just a little bit, realistic.
Final Score
Predictability: It told you everything but it save the heart of it (the characters) for the reader to get absorbed in. The risk of spilling the beans paid off, and the story was both original and fun with the characters both realistic and romantic.
Power: It was her ability to characterize that stole the show. Everyone felt real without being cliche or stereotypical, or too extreme in their originality. They were mostly people you would expect to be friends, and they all made sense together so you could care. Which was nice and maybe unexpected for a YA novel about magic.
Proposal: I'd recommend it to any fans of the song, any fans of strong characters, any fans of subtle magic, any fans of romance or light (very light) thrillers. I'd pretty much recommend it to anyone who wasn't looking to take things too seriously. This is a book you're meant to disappear into, not obsess seriously over.
Monday, May 9, 2011
Tuesday, May 3, 2011
Verdict, No. 2
Play Off
I was very much off. I should just leave it at that to spare my ego. But I won't.
First, it wasn't serious at all--it tried to be comedic and clever. There was actually a lack of melodrama and passion with the focus all on these eccentric sisters and their "witty" jokes. And there was far too much magic in it, like the freaky kind where everything happens at once and it's utter nonsense for the last few chapters before everything manages to return to normal.
The romance? Well, she was expected to marry without a choice as to whom. And she was unhappy with that. And she did fall in love with someone almost unsuitable, but that was a side story to her other sisters' love interests. Really, her man was adorable, but as with most YA, there seems to be no real chemistry--it just had to happen that way for the plot. But that would have been forgivable had there been any sort of...romantic moment. I'm pretty sure she just curtsied. Yeah.
The villain was looking for revenge. And it was dark. And he did expect something in return. And he definitely abuses the girls' naivety. And he did try to kiss the main girl. But then it just got weird. And my vague guess can't be considered correct because it was just...crazy.
Final Score
Predictability: Besides the fact that the cover through me off--way off--once you got into the book, it was so predictable. I knew what was going to happen before any of the characters did. And most of them had no reason to do what they did, only that they were meant to do it. Because that was the plot.
Power: Her dialogue is her strong suit. The characters felt real, even if they were cliche. It felt like something I'd read before, even if the plot took a what-the-crap-this-is-way-too-weird turn.
Proposal: If you enjoy a softer (read: boring) romance with a gentle (read: dry) plot, go ahead. It's definitely for a younger set, or those who worshipped The Goose Girl. I mean, it wasn't bad...it just wasn't all that good either.
Judgment, No. 3
Pictorial Evidence
It's gripping, intriguing, unexpected. And it almost doesn't make sense--sleeveless in the Alps? I don't think so. But the title is Impossible, so...
But even for all the chilliness, it seems warm. Like it will be a good book to curl up with, escape into. I'm kind of excited. It has to be magical, with a swirly title like that and the girl just standing in the wind, just waiting for something. Something inevitable. I suspect drama and romance fraught with some inescapable fate. And hopefully the writing is as refreshing as the cover art.
Cover Story
We know it's about the song, "Scarborough Fair" which is all about love and tests and impossible tasks. So the question is, good or bad? Luckily, the author lets us know. Right on the cover. She actually seems to give the whole plot away: she's pregnant, she has three things to do or she'll go crazy, and she has a best friend who I'm sure will turn into such a great lover. And there's a creepy, devilish villain who has to be magical (hence the curse).
Closing Statement
The giving-everything-away ploy seems to be working: I actually can't wait to read it, to see how it all works out. It's almost like Werlin knew the plot was too predictable and cheesy to worry about making it the heart of the novel, which means the characters must be. And I love that. I already love that, even though we know what happens, something must make it an exciting journey regardless. Maybe it's a risk and maybe it won't pay off, but I think it will be an intriguing read nonetheless, with magic in the background and relationships at the forefront.
Cool beans.
Thursday, April 21, 2011
Judgment, No. 2
I saw this cover and I had to have it. I am so easily wooed by pretty things.
First, I want her dress. Especially if that is a bow at the bustle. Yes, please.
Second, it looks magical. Which is perfect, considering that it is a fantasy...filled with magic. It will probably be less on the vapid side and more concerned with sentimentality. Instead of humorous or silly, it will try to be more emotional, bleeding into the melodrama. But of the operatic sort--the fine art of overwrought passion.
And it already looks like its trying to hard but, being so pretty and all, it seems forgivable.
Cover Story
It's a retelling of the fairytale, 12 Dancing Princesses (where the girls go out and dance all night, needing new shoes each morning). And since there's not much more than that to go off of, it's kind of anybody's guess what will actually happen here. And this is my guess.
The eldest will be expected to marry someone suitable (read: boring) and, of course, that won't go over well. Not with her leading her eleven younger sisters to galavant the night away. And since magic is always dark behind its allure, this man giving them this world to dance in each night will expect something in return. Such as the pretty princess herself. He comes to them, meaning he has to. This is his last-ditch effort--for revenge, for freedom, for something--and he'll abuse the girls' mourning for their mother to his advantage. He probably has plans to seduce the eldest. After all, don't all villains? But she'll probably become distracted by some pretty young man completely unsuitable for her royal blood.
Ah, young love.
And then, back in the real world, when her father finds out they've been out dancing, there will be hell to pay. Nothing like a father who just doesn't understand.
Closing Statement
I can't wait to dive in and escape to a world of mythical intrigue, heartbreak and, most predictably, romance. Though the writing may be weak (considering who they got their cover quotes from...not that hot), and the plot might finish with the bow tied too neat, it seems like a refreshing take on one of the duller fairy-tales.
Review, No. 1
You should know, I read a book yesterday. And I would have done the guessing game with it, only I already knew the plot. It seemed an unfair advantage. Still, I figured there's no sense in wasting my impressive critiquing skills. So here's a good ole traditional review.
Lindner's breakout novel is a modern retelling of Charlotte Bronte's Jane Eyre. It's well-written and often intriguing, reading like a juicy expose, a subtle mystery. But I suppose knowing the ending just spoiled the fun.
It was too honest an interpretation. In following the original so closely, the text becomes incongruous and, well, silly to the setting. Jane herself seems especially inexplicable--her decisions seem more necessary than natural, as in the original book dictated them, no explanation needed. It started off exciting. I was actually thrilled by the first 100 or so pages--a nanny and a rockstar? Beautiful. But a lot of the plot seems forced and illogical in the modern setting. Actually, it's the self-loathing and melancholic introspection of the title character that drags it down. She was forgettable as a character; I'd rather more focus on Nico or the daughter or even...well, no spoilers here.
For the most part, though, it held my attention. It was moments of magic followed by lulls of indifference. I was most excited for the reveal and the conclusion, but both moments were the most anti-climatical. And the love scene. Lindner goes from coy to blunt. It's never graphic, but almost aggressive in its attempt at "reality." Really, its strength was the writing. It was fast paced and enticing, definitely a shallow summer read. Once you try looking for something of value or any sense of depth, that's when everything falls apart. Truly, I liked the book much more just reading it than I did sitting down to critique it. It really is a weak novel well-disguised by a quick pace and a fresh voice.
Take it for what you will, but I give it 2/5.
Lindner's breakout novel is a modern retelling of Charlotte Bronte's Jane Eyre. It's well-written and often intriguing, reading like a juicy expose, a subtle mystery. But I suppose knowing the ending just spoiled the fun.
It was too honest an interpretation. In following the original so closely, the text becomes incongruous and, well, silly to the setting. Jane herself seems especially inexplicable--her decisions seem more necessary than natural, as in the original book dictated them, no explanation needed. It started off exciting. I was actually thrilled by the first 100 or so pages--a nanny and a rockstar? Beautiful. But a lot of the plot seems forced and illogical in the modern setting. Actually, it's the self-loathing and melancholic introspection of the title character that drags it down. She was forgettable as a character; I'd rather more focus on Nico or the daughter or even...well, no spoilers here.
For the most part, though, it held my attention. It was moments of magic followed by lulls of indifference. I was most excited for the reveal and the conclusion, but both moments were the most anti-climatical. And the love scene. Lindner goes from coy to blunt. It's never graphic, but almost aggressive in its attempt at "reality." Really, its strength was the writing. It was fast paced and enticing, definitely a shallow summer read. Once you try looking for something of value or any sense of depth, that's when everything falls apart. Truly, I liked the book much more just reading it than I did sitting down to critique it. It really is a weak novel well-disguised by a quick pace and a fresh voice.
Take it for what you will, but I give it 2/5.
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